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The Cask Of Amontillado Essay Introduction

The Wonderful And Frightening World Of Antoine Wiertz The Wonderful And Frightening World Of Antoine Wiertz
... and Fortunato in The Cask Of Amontillado). Poe had been dead five years by the time this ... I hope this short essay will introduce some of Wiertz's work to those who have not yet ... Now we are confronted by an unashamedly erotic image, intensified by the introduction of ... ·

The Cask Of Amontillado Essay Introduction

And so the staccato movement across the three panels operates likes a sequence of filmic montage, bursting with the sort of rhythmic and psychological energy that film directors like abel gance and sergei eisenstein would unleash upon the audiences of their experimental silent epics of the 1920s. Often on a huge scale, his canvases range from traditional religious scenes to the erotic, grotesque and disturbing visions depicted in his most arresting work. A close-up of this section of the canvas shows that wiertz was keen to depict the full force of the gunfire in all its gory details consequently, this image wouldnt be out of place in contemporary cinema.

The first suggests a low-angle view of the headless body, our gaze guided upwards by the pointing finger of a spectator in the foreground the second presents a high-angle view as our now downward gaze is divided between the falling body and the decapitated head which, resting in the bottom right corner of the frame, leads us into the third panel. Art commentator, jeffery howe, suggests that wiertz was inspired by edgar allan poe, in whose fiction premature burial is a recurring theme (e. Wiertzs painting is suitably charged with a combination of innocence, overt sexuality, grotesquerie, and supernatural danger.

. Showing early promise, he studied at the academy of art in antwerp under herreybs and van brйe, and later in rome where he achieved second prize in the prestigious prix de rome, a competition he would eventually win in 1830. After his death, his brussels studio became the wiertz museum.

At best, one imagines that beardsley was drawing attention to both artists capacity to produce startlingly dramatic and energetic effects in their respective fields of interest. Here, wiertz depicts an execution by guillotine in three panels. Of course, the painter of a single frame painting - forever stuck with the master shot - has no such control of our perceptual ordering of events.

Yet, when we come to the second painting, a major transformation has taken place. During the late 1820s he visited paris, studying the work of his idol, rubens, in the louvre, while earning enough to feed himself by painting quick portraits. Cinematic tendencies are also at play in a two-part work entitled old nicks mirror i (le miroir du diable i) and old nicks mirror ii (le miroir du diable ii), both from 1856.

Now we are confronted by an unashamedly erotic image, intensified by the introduction of a voyeuristic male behind the mirror who, judging by his horns, is probably one of the devils emissaries, if not old nick himself. For a paintersculptor who is still largely unrecognised outside his native belgium, antoine joseph wiertz (1806-1865 self portrait) certainly divides opinion. Once again wiertzs handling of supernatural and erotic material is captivating. Speaking of the latter, brings us to aubrey beardsley, the quintessential english decadent artistwriter of the fin de siиcle. Nowhere is this cinematic element more vividly evident than in the aforementioned triptych last thoughts and visions of a decapitated head.


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The Cask Of Amontillado Essay Introduction

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The Cask Of Amontillado Essay Introduction Quite what one is to make of this unelaborated comparison is unclear, At this point, wiertz jump cuts dramatically from a spectators view of events to a subjective shot of the last thoughts and visions of a decapitated head. Answers To Waec May June Chemistry Obj And Essay Download. Ive already referred to that startling sense of movement and energy present in some of wiertzs finest paintings, and because of this i now wish to describe what to my mind amounts to a cinematic element in his work. ·. At best, one imagines that beardsley was drawing attention to both artists capacity to produce startlingly dramatic and energetic effects in their respective fields of interest. ·. Foreign Languages. "The Cask of Amontillado" themes without. ·. Introduction. A footnote in the unexpuragated version of beardsleys unfinished novel the story of venus and tannhдuser (the censored version was titled under the hill) refers to the english artist jmw turner as the wiertz of landscape-painting (see p.
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    Art commentator, jeffery howe, suggests that wiertz was inspired by edgar allan poe, in whose fiction premature burial is a recurring theme (e. A chubby, rubensesque female fends off a military assailant by firing a pistol into his face, thus escaping probable rape. A footnote in the unexpuragated version of beardsleys unfinished novel the story of venus and tannhдuser (the censored version was titled under the hill) refers to the english artist jmw turner as the wiertz of landscape-painting (see p. At this point, wiertz jump cuts dramatically from a spectators view of events to a subjective shot of the last thoughts and visions of a decapitated head, presenting us with an extraordinary, expressionistic sensory whorl where objects and people become indistinct. And so the staccato movement across the three panels operates likes a sequence of filmic montage, bursting with the sort of rhythmic and psychological energy that film directors like abel gance and sergei eisenstein would unleash upon the audiences of their experimental silent epics of the 1920s.

    A second encounter with wiertzs work came via another book cover - the 1978 penguin classics edition of lautrйamonts maldoror and poems. Nevertheless, by skilful arrangement of visual cues wiertz suggests a perceptual route through the painting which encourages us to make close-ups of and therefore cuts between the various points of dramatic tension. Moreover, to my knowledge, there has never been a wiertz monograph written in english. In cinematic terms a dissolve would achieve this kind of dream-like transition, and wiertz seems to be asking us to imagine a similar perceptual movement in a static medium by carrying over the pose and facial expression to the second painting, only to radically alter the context of these gestures by an unexpected striptease (one is reminded of how buсuel and dali use dream-like dissolves during the breast-fondling sequence of un chien andalou). The art dictionaries and encylopedias that bother to mention him in their brief entries variously describe his work as banal, melodramatic, morbid, mystical, ambitious.

    One could imagine a film director approaching the whole incident by cutting rapidly between these points of tension, in the order ive suggested, to gain maximum dramatic effect. Showing early promise, he studied at the academy of art in antwerp under herreybs and van brйe, and later in rome where he achieved second prize in the prestigious prix de rome, a competition he would eventually win in 1830. Poe had been dead five years by the time this painting appeared, though doubtless would have approved of its memorable evocation of a fervid, nightmarish scene. . For a paintersculptor who is still largely unrecognised outside his native belgium, antoine joseph wiertz (1806-1865 self portrait) certainly divides opinion. The phantasmagoric aspects of wiertzs paintings - likewise, the phantasmagoric aspects of poes and lautrйamonts fiction - attracted the attention of the surrealists, leading the occasional commentator to subsequently describe the artist as pre-surrealist. Once again wiertzs handling of supernatural and erotic material is captivating. Secondly, as our gaze darts upwards across the womans bare chest we see the pistol, held at a parallel angle to the assailants forearm. Of course, wiertz had been dead and buried about 30 years before the lumiиre brothers first publicly projected their films in paris, 1895 so im not claiming that he foresaw the advent of the motion picture. In a trick of the light almost, our innocent, fashionable beauty is exposed as a provocative, vain temptress, reminiscent of the young woman in the young witch.

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    Secondly, as our gaze darts upwards across the womans bare chest we see the pistol, held at a parallel angle to the assailants forearm. If in the suicide (le suicide) of 1854 we are spared the actual effects of gunfire as the suicides features are engulfed by a cloud of gunsmoke, in the outrage of a belgian woman the depiction of violence is more explicit, and still seems rather shocking, even by todays standards. Speaking of the latter, brings us to aubrey beardsley, the quintessential english decadent artistwriter of the fin de siиcle. Firstly, the large, powerful hand and forearm of the assailant around the womans waist, signifying entrapment and the threat of sexual violation, is given a foreground emphasis Buy now The Cask Of Amontillado Essay Introduction

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    As events have turned out, it appears particularly ironic that turner, now the internationally renowned artist, should be described in terms of wiertz who nowadays (and doubtless then, also) is merely regarded as an eccentric minor player in the history of art. Yet, like a sequence of filmic montage, the meaning(s) resides not in the content of either of the two paintings in isolation, but in their juxtapostion. Poe had been dead five years by the time this painting appeared, though doubtless would have approved of its memorable evocation of a fervid, nightmarish scene. Secondly, as our gaze darts upwards across the womans bare chest we see the pistol, held at a parallel angle to the assailants forearm The Cask Of Amontillado Essay Introduction Buy now

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    The art dictionaries and encylopedias that bother to mention him in their brief entries variously describe his work as banal, melodramatic, morbid, mystical, ambitious. The back of the hand placed on the hip and that sensuously painted, jutting elbow now appear knowingly coquettish. In a trick of the light almost, our innocent, fashionable beauty is exposed as a provocative, vain temptress, reminiscent of the young woman in the young witch. However, while lautrйamont was practically discovered and then adored by the surrealists, thus guaranteeing his preeminence among surrealist writers, wiertzs legacy was left to languish in obscurity. I hope this short essay will introduce some of wiertzs work to those who have not yet encountered this most idiosyncratic of artists Buy The Cask Of Amontillado Essay Introduction at a discount

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    Wiertzs audacious 1853 triptych, last thoughts and visions of a decapitated head (pensйes et visions dune tкte coupйe) incorporates most of these elements with a terrifying force and sense of movement, whereas the bizarre stillness of a related work, guillotined head (1855), arouses feelings of pity and revulsion in about equal measure. If there is any agreement about wiertz and his oeuvre, it is that his single-mindedness and considerable self-confidence produced some utterly distinctive paintings on unusual subjects that are not much like anybody elses. Astonishing, then, that so few books have been written about wiertz, and what has is now many decades out of print. Now we are confronted by an unashamedly erotic image, intensified by the introduction of a voyeuristic male behind the mirror who, judging by his horns, is probably one of the devils emissaries, if not old nick himself Buy Online The Cask Of Amontillado Essay Introduction

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    Often on a huge scale, his canvases range from traditional religious scenes to the erotic, grotesque and disturbing visions depicted in his most arresting work. Astonishing, then, that so few books have been written about wiertz, and what has is now many decades out of print. My first encounter with wiertzs work was, appropriately, on the front cover of dedalus 1992 edition of j-k huysmans novel la bas - a heady fin de siиcle brew of religion and sexual magic, with an intermittent discourse on the trial of notorious 15th century sadist and child-murderer gilles de rais. The back of the hand placed on the hip and that sensuously painted, jutting elbow now appear knowingly coquettish. .

    Yet, like a sequence of filmic montage, the meaning(s) resides not in the content of either of the two paintings in isolation, but in their juxtapostion Buy The Cask Of Amontillado Essay Introduction Online at a discount

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    The work chosen to lead one into this shadowy world is the young witch (aka the young sorceress la jeune sorciиre) of 1857. In other words, he is long overdue substantial critical attention. Secondly, as our gaze darts upwards across the womans bare chest we see the pistol, held at a parallel angle to the assailants forearm. At best, one imagines that beardsley was drawing attention to both artists capacity to produce startlingly dramatic and energetic effects in their respective fields of interest. The first suggests a low-angle view of the headless body, our gaze guided upwards by the pointing finger of a spectator in the foreground the second presents a high-angle view as our now downward gaze is divided between the falling body and the decapitated head which, resting in the bottom right corner of the frame, leads us into the third panel The Cask Of Amontillado Essay Introduction For Sale

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    Nudity is given an explosive context in the outrage of a belgian woman (aka a blow from the hand of a belgian lady le soufflet dune dame belge) of (1861). If wiertz doesnt exactly predict the advent of motion pictures, he does at least anticipate the basic techniques of film editing and deploys them to stunning effect. Once again wiertzs handling of supernatural and erotic material is captivating. A footnote in the unexpuragated version of beardsleys unfinished novel the story of venus and tannhдuser (the censored version was titled under the hill) refers to the english artist jmw turner as the wiertz of landscape-painting (see p. Showing early promise, he studied at the academy of art in antwerp under herreybs and van brйe, and later in rome where he achieved second prize in the prestigious prix de rome, a competition he would eventually win in 1830 For Sale The Cask Of Amontillado Essay Introduction

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    In a trick of the light almost, our innocent, fashionable beauty is exposed as a provocative, vain temptress, reminiscent of the young woman in the young witch. The work chosen to lead one into this shadowy world is the young witch (aka the young sorceress la jeune sorciиre) of 1857. My first encounter with wiertzs work was, appropriately, on the front cover of dedalus 1992 edition of j-k huysmans novel la bas - a heady fin de siиcle brew of religion and sexual magic, with an intermittent discourse on the trial of notorious 15th century sadist and child-murderer gilles de rais. However, while lautrйamont was practically discovered and then adored by the surrealists, thus guaranteeing his preeminence among surrealist writers, wiertzs legacy was left to languish in obscurity Sale The Cask Of Amontillado Essay Introduction

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